Watching, Waiting

Stalking some strangers in Boston's Museum of Fine Arts. I can tell you from experience that the echo of a shutter click in an otherwise silent room produces a very awkward fallout.




On a side note, these photos mark a transition from the 400ISO Ilford XP2 film that I was originally using to a Kodak CW400 stock. I definitely prefer the former (it produces a richer black/white contrast) but couldn't seem to find it anywhere in Boston. Oh well.