Showing posts with label chess. Show all posts
Showing posts with label chess. Show all posts

05 July 2010

Facing The Music Like A Graduate of Juilliard

Just trying to hammer out the idea behind my upcoming major work before this break ends. In a perfect world I'd be able to hash out my composition, gather all the specific imagery, and prep all my materials so I could hit the ground running and start painting when school starts. But I am still tossing up a number of concepts. Today I'm feeling something along the lines of:


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It's tempting to go for another series of linear panels, but I'm feeling pretty high on the challenge of a single, epic, Guillaume Bresson-type oil painting. As much as I loved working with acrylic last month, I really want to get a handle on photorealistic oils -- something I've never been able to achieve. This is going to be my last semester at art school and I want to go out with a bang so I figure I might as well roll the dice.

20 January 2010

The Fascination of Sacrifice

Another good read: David Shenk's "The Immortal Game". Recommended to me about three years back, but I only sunk my teeth into it a week or two ago. As Adolf Anderssen and Lionel Kierseritsky's titular duel unfolds in a brilliant example of tactical duplicity, Shenk overlaps a lyrical exposition of the game's history and the many myths and legends that surrounds its origins.


One such story revolves around two sixth century Indian kings. The first ordered his sage to invent a game that reflected his belief in the power of fate and this produced the rolling of dice. The second, however, ordered his sage to invent one that represented his conviction in the power of knowledge and free will, and this ultimately led to chess.

08 January 2010

To See Colour In The World Again

This man's name is Saravuth In. Every day he sits patiently by the north-east subway entrance in Union Square in front of his chess set, inviting passer-bys to play. I met him whilst waiting for a friend and after he promptly cut me to shreds we got to talking.


He has a fascinating and tragic story. Born in Cambodia, his parents and siblings were killed by the Khmer Rouge. He made it by as a shoe-shine boy till he was taken into a missionary orphanage by a man named Brother Michael, who later pushed for him to be included in President Ford's "Operation Babylift" -- a mission in which 28 Cambodian orphans were airlifted to the United States, put into foster families, and given appropriated citizenship. Unfortunately, he was subsequently abused by his foster parents and became a ward of the state. Despite this, however, he obtained a full scholarship to Rutgers where he studied PhD English Literature.


Saravuth fell in love with a woman in Montreal with whom he had three children. But after a messy divorce, he ended up in a dire situation, living on the streets with all his personal documentation in hand -- documents like his passport and birth certificate and social security card that were lost when he was beaten and robbed. He was deported to the U.S. on the basis of his fingerprints and a scrappy copy of a Washington Post article from 1975 that featured his photo. And now he can neither obtain a job (other than the typical illegal refugee fare, which he refuses to engage in as an educated man) nor gather welfare because, in a catch-22 of American bureaucracy, the government cannot fully identify him other than as a 'displaced citizen' without his full paperwork. Though he plays at a grandmaster level, chess is, like the classical guitar he used to earn on the streets of Canada, simply a means of getting by -- a hobby which was once enjoyed, but now exists at a purely functional level.


I ended up visiting Saravuth pretty much every day while I was in the city. Not only because he taught me the nuances of the Sicilian Dragon and the Yugoslav Attack, but because I genuinely enjoyed hearing him speak of such things as his favourite book, James Joyce's Ulysses, or his days as a concert cellist. This is an educated and eloquent individual who speaks both French and Latin; a natural teacher who loves nothing more than to frequent his knowledge. And yet here he sits as a homeless man, denied of his passion and purpose in life. It amazes and saddens me that something like this can happen. I would like nothing more than to meet Saravuth again some day. Just not sitting on the steps in Union Square, freezing to death in the middle of winter.

[Note: on my last day in New York, I finally beat him. But I half suspect that he let me.]